Slow and Low fest is Chicago’s largest lowrider festival. This curated community-cultural public sphere exhibition explores and presents Lowrider culture as an original form of American folk and contemporary art.

The customized car becomes a way of expressing beauty and self-expression by owners, master craftspeople, and innovative mechanics, through modifications including wire wheel rims with whitewall tires, custom pinstriping and upholstery, airbrush muralism, and other contributing visual aesthetics and material objects.

Lowriding began in the 1940s when Mexican American veterans in southern California used their World War II mechanical training to modify cars-especially Chevys- so they rode “low and slow” rather than “hot and fast.” During the Chicano Movement of the 1970s, lowriders took on political roles through car clubs that offered community services and embraced pro-pueblo imagery like flowers, warriors, and geometric designs drawn from Indigenous Mexican stories. These “mobile canvases” used style as resistance, echoed in the Pachuca/o fashion that emerged as a symbol of rebellion.

Respira made such an impact on past Slow & Low projects that it became part of the visual language people now associate with the festival. For 2025, the design team pushed the system forward and leaned even more Respira to bring in a warmer, marker-drawn feel for the headlines.

Respira was paired with Cordier Script and Rosalie to amplify the hand-lettered, lowrider-forward voice the curators were aiming for. Together, the combination honored Chicano typographic lineage without imitating it, giving the full civic-scale identity a grounded, expressive backbone.

Design direction and design by Nick Adam at Span, with design and animation by Kevin Moreland and illustration by Alec Hudson.
Curatorial work by Lauren M. Pacheco, Peter Kepha, and Edward Magico Calderon.
2025 Day of Photographers: Ferny Ruiz, Alfonso Monroy, Carmen Ordoñez, and Melissa Reyes.
Design media photography by Edward Magico Calderon, Max Herman, Nick Lipton, Katrina Nelken, and Mike Pocious